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The Johnny crooner explained that when she first entered the music industry, she realised that many of her colleagues were not particularly welcoming. As a result, she chose to keep to herself, working closely only with her team and directing all her energy toward building her career.

According to Alade, her deep immersion in work made her lose track of time, leading her to repeatedly state she was 22 years old when she was actually 25.

She noted that her priority at the time was growth, discipline, and musical excellence, not socialising or keeping up appearances.

The singer also revealed that she avoids attending events or parties unless formally invited, explaining that she keeps a very small circle and does not consider herself someone with many friends.

In addition, Alade spoke briefly about a period during her university days when she struggled with cigarette smoking. She said she eventually quit after realising the habit was negatively affecting her health and vocal performance.

Reflecting on her journey, the singer described those experiences as formative, helping her develop focus, resilience, and self-awareness in an industry that can be both demanding and isolating.

Yemi Alade remains one of Africa’s most successful female artists, with a career defined by consistency, discipline, and global recognition.

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The award-winning performer, best known for the hit track Johnny, recounted her experiences on a recent episode of the Swift Conversations podcast. She said that while she had talent, determination, and faith, entering the industry as a teenager exposed her to predatory behaviour from some industry players.

“They didn’t want my talent, they wanted something else”

Alade explained that she believed her talent would be enough to build a career, especially since she lacked financial backing. But as she began attending meetings, studio sessions, and industry events, she quickly discovered that many of the doors she knocked on came with inappropriate conditions.

“In those beginning days, all I thought I needed was my talent,” she said. “There were doors I needed to walk up to, and when I walked up to the doors, they didn’t want my talent, they wanted something else.”

She described several uncomfortable encounters, including moments when senior executives would touch her inappropriately during meetings.

“From business meetings to studio sessions to even winning certain awards, you meet the managing director or another executive and they’re trying to rub your thighs under the table,” she recalled. “I was just a teen… I couldn’t speak because I was in shock.”

Choosing Persistence Over Fear

The harassment became so frequent that Alade began questioning whether she should remain in the industry. Despite the challenges, she said something within her pushed her to stay focused on her craft.

“I had to speak to myself and decide if music was what I wanted to do because the sexual harassment was becoming too rampant,” she said. “But something in me told me to keep pushing my talent. I still showed up. If a door was open, I walked in. If it was shut in my face, I walked away.”

Breaking Barriers Instead of Knocking on Doors

Reflecting on her journey, Alade said she eventually succeeded when she stopped relying solely on traditional gatekeepers and began creating her own opportunities.

She said her breakthrough came after she realised she “needed to stop walking through the doors and start breaking down the walls,” a mindset that ultimately propelled her into one of Africa’s most celebrated music careers.

Her testimony adds to growing conversations about harassment in the creative sector and the need for safer spaces for young female artistes navigating the industry.

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Speaking on the With Chude podcast, Yemi clarified that her decision was driven by a desire to avoid unnecessary controversy, not animosity.

“I’ve had collaborations with Omawumi, Waje, and even Seyi Shay. I’ve also worked with amazing female African artists around the world, my song ‘Come and See My Mother’ was with MzVee from Ghana,” she said.

While affirming her commitment to supporting women in the industry, Yemi admitted she has deliberately stayed away from a Tiwa collaboration because of the potential drama surrounding it.

“I’m a big champion for female collaborations, you know. But I know that a fan favourite is the one you mentioned (Tiwa Savage). I’d rather just stay clear. I don’t want problems in my life,” she said.

The Johnny crooner stressed that there’s no existing rift between her and Tiwa Savage, only a conscious choice to avoid fan and media speculation that could distort their relationship.

“You know, the thing is that most times, fans and media just tend to stir the waters where the water is supposed to be still. I’m not trying to make something out of nothing because there is literally no problem at all,” she explained.

Yemi’s comments come after years of public debate about the dynamic between the two Afrobeats icons, both of whom have led the charge in putting Nigerian female artists on the global stage.

Her remarks highlight the pressure female entertainers face in an industry that often pits women against each other, even when mutual respect exists behind the scenes.

By choosing peace over perception, Yemi Alade reinforces her reputation as one of Afrobeats’ most grounded and self-aware voices.

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In an interview with Chude Jideonwo, the Johnny crooner disclosed that she began smoking as a teenager but soon realized it wasn’t a habit she wanted to continue.

“When I was in the university, I tried smoking. It didn’t work out,” Alade said. “But before it didn’t work out, it worked out a bit too much. I started needing to smoke before going to bed. I was getting addicted to that lifestyle.”

The singer admitted that although she was becoming dependent on cigarettes, she often hid it from the public because she wasn’t proud of the habit. That internal conflict eventually led her to quit.

“I told myself that if I have to hide to do something, then I shouldn’t be doing it,” she explained. “I like being aware of my environment and my decisions, so I decided cigarettes were not for me.”

Alade added that smoking affected her voice, making it easier for her to walk away from the addiction.

“They harmed me; they affected my voice. So I stopped. Smoking for me didn’t last up to a year,” she said.

The award-winning artist’s story serves as a reminder of the importance of self-awareness and the courage to make healthier choices, even in the face of early temptations.

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In an interview with media personality Chude Jideonwo, the “Johnny” crooner opened up about a time in her life when she repeatedly told people she was 22, only to later discover she was actually 25.

“There was a time someone asked me how old I was, and for about three years I kept saying 22,” she recalled. “Then one day, I calculated it and realised I was already 25.”

The singer said the realisation hit her hard, leaving her emotionally drained and unable to process the truth for several days.

“I was depressed for a few days because my mind couldn’t process it. It was mental, for three years, I didn’t know my age,” she said.

Yemi described the experience as a turning point that taught her how easily people can lose touch with reality and how self-deception can take a toll on mental health.

Now in a stronger place mentally, the “Knack Am” hitmaker said the episode served as a reminder of the importance of self-awareness and honesty, both personally and professionally.

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